Frank Parker: Difference between revisions

From Citizendium
Jump to navigation Jump to search
imported>Hayford Peirce
(according to Jack Kramer)
imported>Hayford Peirce
(Frankie's revenge on the man who ruined his forehand -- ran off with his wife! how's that for a winning backhand?)
Line 7: Line 7:
According to [[Jack Kramer]], another great near-contemporary of Parker's, and many other observers, the youthful Parker, an emotionless, robot-like tennis-stroking machine, had "a wonderful slightly overspin forehand drive.  Clean and hard."<ref>xx</ref> Then, according to Kramer,
According to [[Jack Kramer]], another great near-contemporary of Parker's, and many other observers, the youthful Parker, an emotionless, robot-like tennis-stroking machine, had "a wonderful slightly overspin forehand drive.  Clean and hard."<ref>xx</ref> Then, according to Kramer,
<blockquote>for some reason Beasley decided change this stroke into a chop. It was obscene; it was like painting a mustache on the Mona Lisa.... Beasley got it into his head that Parker should hit with a forehand like [[Leo Durocher]] threw the ball from shortstop to first base.  That was what Beasley patterned Parker's new forehand after.</blockquote>
<blockquote>for some reason Beasley decided change this stroke into a chop. It was obscene; it was like painting a mustache on the Mona Lisa.... Beasley got it into his head that Parker should hit with a forehand like [[Leo Durocher]] threw the ball from shortstop to first base.  That was what Beasley patterned Parker's new forehand after.</blockquote>
Parker's revamped forehand was not a success; for years afterwards he attempted to reconstruct his original stroke but never entirely recovered it and, according to Kramer, never quite achieved the ultimate heights that he might have otherwise. As a strange sidelight to Parker's longtime relationship with Beasley, Parker and Beasley's wife, Audrey, at least 20 years his senior and his surrogate mother, fell in love, hiding the fact from Mercer for a number of years. In 1938, however, when Parker was 22, the Beasleys divorced and Audrey married the much younger Parker. The marriage, apparently, was a happy one until Audrey died in 1975.

Revision as of 17:23, 10 November 2009

This article is a stub and thus not approved.
Main Article
Discussion
Related Articles  [?]
Bibliography  [?]
External Links  [?]
Citable Version  [?]
 
This editable Main Article is under development and subject to a disclaimer.

Frank "Frankie" Andrew Parker, born Franciszek Andrzej Pailowski, (January 31, 1916, Milwaukee, Wisconsin – July 24, 1997, San Diego, California) was an outstanding American amateur tennis player for nearly two decades, being rated among the top 10 players for 17 consecutive years, from 1933 through 1949, a record for male players that stood until being surpassed by Jimmie Connors in 1988. Two times the number-one ranked American player, he won the national singles championships twice while serving in the Army Air Force during World War II. One of only four Americans to twice win the French championships on their slow clay surface, he was also a fine Davis Cup player, winning 12 of 14 matches.

A youthful prodigy, he was also perhaps the first champion to come, not from the country club set, like Bill Tilden, or even the middle class, like Ellsworth Vines, but from "the low, low class. My mother took in washing. I worked as a ball boy for the Town club in Milwaukee and would make a dollar a week at five cents a set." Parker quickly came under the guidance of Mercer Beasley, a visually impaired mentor who, unable to play himself, gained acclaim as "the greatest tennis coach in history." Beasley and wife practically adopted the youthful Parker, taking him with them from teaching job to teaching job; under Beasley's tutelage Parker was the national boys champion, the national juniors champion, and then, at age 17, the eighth-rank player in the country. Six months younger than the great Don Budge, he ranked higher than Budge until the latter turned 20.

According to Jack Kramer, another great near-contemporary of Parker's, and many other observers, the youthful Parker, an emotionless, robot-like tennis-stroking machine, had "a wonderful slightly overspin forehand drive. Clean and hard."[1] Then, according to Kramer,

for some reason Beasley decided change this stroke into a chop. It was obscene; it was like painting a mustache on the Mona Lisa.... Beasley got it into his head that Parker should hit with a forehand like Leo Durocher threw the ball from shortstop to first base. That was what Beasley patterned Parker's new forehand after.

Parker's revamped forehand was not a success; for years afterwards he attempted to reconstruct his original stroke but never entirely recovered it and, according to Kramer, never quite achieved the ultimate heights that he might have otherwise. As a strange sidelight to Parker's longtime relationship with Beasley, Parker and Beasley's wife, Audrey, at least 20 years his senior and his surrogate mother, fell in love, hiding the fact from Mercer for a number of years. In 1938, however, when Parker was 22, the Beasleys divorced and Audrey married the much younger Parker. The marriage, apparently, was a happy one until Audrey died in 1975.

  1. xx