The Miernik Dossier

The cover of a 2007 Overlook Duckworth edition.

The Miernik Dossier, published by the Saturday Review Press in 1973, was the first of sevens novels by the American novelist Charles McCarry featuring an American intelligence agent named Paul Christopher. Set in 1959 in Europe and Africa during the days of the Cold War, it is narrated in the form of reports, overheard conversations, and various documents from a multitude of sources of different nationalities, supposedly giving the reader an authentic picture of what an actual intelligence operation might be like. McCarry had previously been an undercover operative for the Central Intelligence Agency for nine years, and the book was hailed for its apparent authenticity and realistic depiction of tradecraft. It received excellent reviews, and instantly established McCarry's reputation as one of the foremost American novelists of espionage.

Critical appraisal

At the time of its publication, Newgate Callendar, the weekly mystery reviewer of the New York Times, called it "a fast-moving tale of Byzantine intrigue" and said that Miernik himself was "continuously interesting".

Then, 15 years later, reviewing a non-Christopher novel by McCarry in the Times, John Gross wrote in 1988:

Charles McCarry's first novel, The Miernik Dossier, which was published in 1973, is arguably the finest modern American spy story, the only one that matches the leading British masters of the genre in subtlety and ingenuity. It featured an agent called Paul Christopher, and Christopher's adventures form the basis of four subsequent novels by Mr. McCarry, none quite as good as The Miernik Dossier, but all far superior to the average cloak-and-dagger concoction.

Writing in the Wall Street Journal in 2009, the noted contemporary thriller writer Alan Furst called it number two of the five best spy novels ever written:

It is a travelogue that bristles with suspicion and deception—but don’t listen to me, listen to a certain highly acclaimed spy novelist who reviewed McCarry’s literary debut: "The level of reality it achieves is high indeed; it is superbly constructed, wholly convincing, and displays insights that are distinctly refreshing. A new and very welcome talent." Good call, Eric Ambler.

Ambler, of course, was the most wildly known spy novelist of an earlier generation.

Narrative structure

The form of the narrative is a variation of the epistolary novel, whose roots in English go back at least to Samuel Richardson's novels Pamela (1740) and Clarissa (1749). Epistolary novels generally consist of letters written by one or more of the characters. Variations such as Bram Stoker's famous vampire novel, Dracula, (1897) added other entries to the traditional letters: telegrams, diaries, newspaper clippings, and doctor's notes among others. The mystery/thriller field has a long tradition of using the epistolary form, notable examples being Wilkie Collins's The Moonstone (1868) and Michael Innes's Lament for a Maker (1938). In The Miernik Dossier, we are told in an Introductory Note, "The attached dossier is submitted to the Committee in response to the request by its Chairman for a 'complete picture of a typical operation.'" We are never told who the Committee is, but, judging from the documents that make up the book, it is almost certainly connected with American intelligence or with its oversight. The book itself then consists of 89 documents presented in chronological order: reports by various intelligent agents to their superiors; reports by the agents' case officers; intercepted telephone calls between agents and case officers of various nationalities; diary entries; reports by a police officer; a few actual letters; and various other devices. As in most epistolary novels, an obvious weakness is the unlikelihood of such long reports and letters being penned in a few hours late at night in the midst of trying circumstance, always in a flawless literary narrative style. In this book, the entries of the protagonist, Paul Christopher, an American agent, and of Tadeusz Miernik, a Polish historian and possible agent, the subject of the titular Dossier, are particularly unlikely, both in their length and their literary polish. This is, however, a convention of the genre.

Plot

Low-key and straightforward, the plot is relatively simple, incorporating two basic threads.