Guqin: Difference between revisions
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The ''guqin'' (古琴, (Hanyu Pinyin: guqin, Tongyong Pinyin: gu-cin, English: ancient zither); also known as the ''qixian qin'' 七弦琴 (Hanyu Pinyin: qixian qin, Tongyong Pinyin: chi-sian cin, English: seven-stringed zither); ''sixian qin'' (丝弦琴, Hanyu Pinyin: si-xian qin, Tongyong Pinyin: cisian cin, English: silk-stringed zither); or simply ''qin'', (琴, Hanyu Pinyin: qin, Tongyong Pinyin: cin, English: zither)) is a Chinese zither, and the oldest Chinese stringed instrument with an unbroken playing history. Among themselves ''qin'' players generally call it the ''qin'', a practice which will be followed here; people who do not play it are more likely to call it the ''guqin''. | The ''guqin'' (古琴, (Hanyu Pinyin: guqin, Tongyong Pinyin: gu-cin, English: ancient zither); also known as the ''qixian qin'' 七弦琴 (Hanyu Pinyin: qixian qin, Tongyong Pinyin: chi-sian cin, English: seven-stringed zither); ''sixian qin'' (丝弦琴, Hanyu Pinyin: si-xian qin, Tongyong Pinyin: cisian cin, English: silk-stringed zither); or simply ''qin'', (琴, Hanyu Pinyin: qin, Tongyong Pinyin: cin, English: zither)) is a Chinese zither, and the oldest Chinese stringed instrument with an unbroken playing history. Among themselves ''qin'' players generally call it the ''qin'', a practice which will be followed here; people who do not play it are more likely to call it the ''guqin''. | ||
The ''qin'' has what probably the oldest written playing instructions for any instrument now in use. The music is generally simple but profoundly moving when played well. | The ''qin'' has what are probably the oldest written playing instructions for any instrument now in use. The music is generally simple but profoundly moving when played well. | ||
The ''qin'' has been seen for centuries as having almost mystical qualities upon both the players, for whom it is both a means of developing and a demonstration of highly developed personal qualities, and upon its audiences, being credited with the ability to entrance animals, convince rulers of their unworthiness, and even cause enemy forces to withdraw. There are also numerous references to it in poetry and others in novels and short stories. | The ''qin'' has been seen for centuries as having almost mystical qualities upon both the players, for whom it is both a means of developing and a demonstration of highly developed personal qualities, and upon its audiences, being credited with the ability to entrance animals, convince rulers of their unworthiness, and even cause enemy forces to withdraw. There are also numerous references to it in poetry and others in novels and short stories. | ||
Revision as of 12:49, 16 November 2007
The guqin (古琴, (Hanyu Pinyin: guqin, Tongyong Pinyin: gu-cin, English: ancient zither); also known as the qixian qin 七弦琴 (Hanyu Pinyin: qixian qin, Tongyong Pinyin: chi-sian cin, English: seven-stringed zither); sixian qin (丝弦琴, Hanyu Pinyin: si-xian qin, Tongyong Pinyin: cisian cin, English: silk-stringed zither); or simply qin, (琴, Hanyu Pinyin: qin, Tongyong Pinyin: cin, English: zither)) is a Chinese zither, and the oldest Chinese stringed instrument with an unbroken playing history. Among themselves qin players generally call it the qin, a practice which will be followed here; people who do not play it are more likely to call it the guqin.
The qin has what are probably the oldest written playing instructions for any instrument now in use. The music is generally simple but profoundly moving when played well.
The qin has been seen for centuries as having almost mystical qualities upon both the players, for whom it is both a means of developing and a demonstration of highly developed personal qualities, and upon its audiences, being credited with the ability to entrance animals, convince rulers of their unworthiness, and even cause enemy forces to withdraw. There are also numerous references to it in poetry and others in novels and short stories.
Certain groups, the ‘lower orders of society’, Buddhists and foreigners, have been seen as unworthy to play the qin by the Daoist literati. Today the instrument and its music are the subject of widespread controversy about the instrument itself, in particular the types of strings to be used, playing style and aesthetics and the context of performance.