Arts and Crafts movement/Catalogs: Difference between revisions

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One of the interesting features of the Arts and Crafts movement is that it occurred at time of great interest in 'socialism' (in its broadest 19th century sense as a contrast term to 'individualism'). As a result, alongside the creation of individual artists and craftsmen in traditional ataliers (artists workshops), there was a substantial formation of other [[civil society]] organizations - specialized production units, movements, groups, clubs, networks, alliances and many other types of organized activity quite unlike anything else in art history.  
One of the interesting features of the Arts and Crafts movement is that it occurred at time of great interest in 'socialism' (in its broadest 19th century sense as a contrast term to 'individualism'). As a result, alongside the creation of individual artists and craftsmen in traditional ataliers (artists workshops), there was a substantial formation of other [[civil society]] organizations - specialized production units, movements, groups, clubs, networks, alliances and many other types of organized activity quite unlike anything else in art history.  
Here is a partial list of some of those organizations, garnered from a variety of publications on art history. (A similar [[Catalog of Art Nouveau organizations|list]] has been prepared for the [[Art Nouveau]] movement which saw a similar -- and to some degree overlapping -- burst of organization during roughly the same time period. (The following associations, cooperatives, groups and organizations are listed in Karen Livingstone and Linda Parry, Eds. International Arts and Crafts. London: V&A Publications. 2006. The articles in this publication also include a wealth of additional information on many of them.)
Here is a partial list of some of those organizations, garnered from a variety of publications on art history. (A similar [[Catalog of Art Nouveau organizations|list]] has been prepared for the [[Art Nouveau]] movement which saw a similar -- and to some degree overlapping -- burst of organization during roughly the same time period.  
 
(The following associations, cooperatives, groups and organizations are listed in the index of Karen Livingstone and Linda Parry, Eds. International Arts and Crafts. London: V&A Publications. 2006. The articles in that publication also include a wealth of additional information on many of them. The list does not include information on many private workshops, stores, shops and other profit-oriented firms that were also integral parts of the international Arts and Crafts movement. Although the effort here is to identify primarily "nonprofit", non-commercial groups and associations, any distinction between profit-oriented and nonprofit activities in this or other movements is very difficult to draw convincingly. Several firms are included.)


{{r|Amstelhock Company}}
{{r|Amstelhock Company}}

Revision as of 20:11, 22 December 2009

< Civil society/Catalogs

One of the interesting features of the Arts and Crafts movement is that it occurred at time of great interest in 'socialism' (in its broadest 19th century sense as a contrast term to 'individualism'). As a result, alongside the creation of individual artists and craftsmen in traditional ataliers (artists workshops), there was a substantial formation of other civil society organizations - specialized production units, movements, groups, clubs, networks, alliances and many other types of organized activity quite unlike anything else in art history. Here is a partial list of some of those organizations, garnered from a variety of publications on art history. (A similar list has been prepared for the Art Nouveau movement which saw a similar -- and to some degree overlapping -- burst of organization during roughly the same time period.

(The following associations, cooperatives, groups and organizations are listed in the index of Karen Livingstone and Linda Parry, Eds. International Arts and Crafts. London: V&A Publications. 2006. The articles in that publication also include a wealth of additional information on many of them. The list does not include information on many private workshops, stores, shops and other profit-oriented firms that were also integral parts of the international Arts and Crafts movement. Although the effort here is to identify primarily "nonprofit", non-commercial groups and associations, any distinction between profit-oriented and nonprofit activities in this or other movements is very difficult to draw convincingly. Several firms are included.)

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