Arts and Crafts movement/Catalogs: Difference between revisions
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One of the interesting features of the Arts and Crafts movement is that it occurred at time of great interest in 'socialism' (in its broadest 19th century sense as a contrast term to 'individualism'). As a result, alongside the creation of individual artists and craftsmen in traditional ataliers (artists workshops), there was a substantial formation of other [[civil society]] organizations - specialized production units, movements, groups, clubs, networks, alliances and many other types of organized activity quite unlike anything else in art history. | One of the interesting features of the Arts and Crafts movement is that it occurred at time of great interest in 'socialism' (in its broadest 19th century sense as a contrast term to 'individualism'). As a result, alongside the creation of individual artists and craftsmen in traditional ataliers (artists workshops), there was a substantial formation of other [[civil society]] organizations - specialized production units, movements, groups, clubs, networks, alliances and many other types of organized activity quite unlike anything else in art history. | ||
Here is a partial list of some of those organizations, garnered from a variety of publications on art history. (A similar [[Catalog of Art Nouveau organizations|list]] has been prepared for the [[Art Nouveau]] movement which saw a similar -- and to some degree overlapping -- burst of organization during roughly the same time period. | Here is a partial list of some of those organizations, garnered from a variety of publications on art history. (A similar [[Catalog of Art Nouveau organizations|list]] has been prepared for the [[Art Nouveau]] movement which saw a similar -- and to some degree overlapping -- burst of organization during roughly the same time period. | ||
Revision as of 04:34, 18 October 2007
< Civil society/Related Articles
One of the interesting features of the Arts and Crafts movement is that it occurred at time of great interest in 'socialism' (in its broadest 19th century sense as a contrast term to 'individualism'). As a result, alongside the creation of individual artists and craftsmen in traditional ataliers (artists workshops), there was a substantial formation of other civil society organizations - specialized production units, movements, groups, clubs, networks, alliances and many other types of organized activity quite unlike anything else in art history. Here is a partial list of some of those organizations, garnered from a variety of publications on art history. (A similar list has been prepared for the Art Nouveau movement which saw a similar -- and to some degree overlapping -- burst of organization during roughly the same time period.