Hull House

Hull House is a term that is applied to the house built in 1856 by Charles Hull at 335 (later, 800) South Halsted Street in Chicago (which survives today on the campus of the University of Illinois at Chicago). It also refers to the residence established at that address by Jane Addams and Ellen Gates Starr in 1889, the "social settlement" or settlement house by that name established by Addams, Starr and others, the many diverse and pioneering educational and social reform programs carried out by Addams and the other residents over four decades, or as the most celebrated and influential representative of the late 19th century settlement house movement in the U.S. The term also applies to as many as six neighborhood and community center sites in the city of Chicago that have inherited the name.

Although the Hull House social settlement was initially modeled on Toynbee Hall the university settlement established on Commercial Street, Whitechapel in the East End of London by Canon Barnett and named for Arnold Toynbee, the Hull House program eventually far exceeded the Toynbee Hall effort in ambition, extent and international influence.

The House That Charles Hull Built

The house itself is a large Italianate brick structure built as a single family dwelling with large front, rear and side yards in 1856 by Chicago real estate man Charles Hull. (Characterizations of the comodious 9-room structure as a mansion may be somewhat overstated.) Owing perhaps to its brick construction, the house was one of the few buildings in the vicinity to survive the Great Chicago Fire of 1871, and subsequently served various commercial uses, including as a warehouse and funeral home, before it was rented to Addams in 1889 by Mr. Hull's niece, Helen Culver for $60 a month. Ms. Culver had inherited the house and 40 acres of land from her uncle. The house was vacant at the time she rented it. Addams and Starr took occupancy of the house on September 18, 1889 and moved in along with Mary Keyser, who served as housekeeper, cook and general factotum. (It is curious, given the egalitarian inspiration that Hull House has provided for assorted labor, women's and other movements, that Addams and Starr are universally considered co-founders while the invaluable Keyser is accorded a minor servant's role or ignored entirely. It is even more curious that Ms. Addams and the otherwise egalitarian-minded Ms. Starr contributed to this impression. "Ellen and I live alone with one servant," Ms. Addams wrote to her stepmother in the early days of the settlement.)

Hull House served as the principal residence and center of operations for Addams during the remaining 40 years of her life, until her death from cancer in 1935. It also became the centerpiece of a cluster of more than a dozen other buildings constructed between 1895-1912 on the surrounding land, which was subdivided into 19 adjacent lots in three large parcels, separated by two alleys. All of the buildings in the complex, with the exception of the original house and the dining hall, were demolished in the 1950s to make way for the UIC campus.

The Hull House That Jane Built

Governance

Addams was, according to most contemporary sources, a very charismatic personality, and most of those involved in the Hull House operation during her lifetime appear to have deferred to her personal authority about many things. She served as President of the Hull House Association from its incorporation in 1895 until her death.

Incorporation

According to Farra, pre-1930’s settlement houses in New York City (and presumably elsewhere) were organized on three bases: As limited corporations, as membership organizations or as auxiliaries of other organizations. Holden says that the general practice of settlements on the question of incorporation was mixed: Some were and others weren't. Hull House appears to have originally been unincorporated and established as an Illinois corporation after several years of operation on March 30, 1895.

The Original Board

The seven members of the original board of Trustees were: Helen Culver, Jane Addams, William H. Colvin, Allen B. Pond, Mary H. Wilmarth, and Mary Roset-Smith. In an article published in Charities during the 1930’s, Ms. Addams referred to this original board as composed of club women and business men. Ms. Culver was the niece (and heir) of C.J. Hull. She had inherited the house and 40 acres from her uncle. Pond, secretary of the association for __ years, was an architect and partner in the firm of Pond and Pond, whose firm designed many of the buildings constructed at Hull House. Both he and his brother, _____, were long-time supporters of Hull House, and residents there from ____-____.

Hull House Board Members, 1895-1935

Only 19 board members served on the Hull House Association board from its formation until Ms. Addams' death. The following shows the available information about those board members. The incomplete blocks show the seven members serving at the time Ms. Addams died.

Name	Appointed	Term Ended	Years	Reason
Addams, Jane	1895	1935	41	Died
Butler, Edward	1895	1912	17	Term Ended
Culver, Helen	1895	1920	25	Resigned
Colvin, W.H.	1895	1897	2	Died
Pond, Allen	1895	1929	34	Died
Smith, Mary Roset	1895	1934	39	Died
Wilmarth, Mary	1895	1907	12	Resigned
Dewey, John	1897	1903	6	Resigned
Bowen, Louise deKoven	1903
Hutchison, Charles L.	1908	1924	24	Died
Rosenwald, Julius	1912	1931	19	Died
Ewing, Charles Hull	1920
Avery, Sewall L.	1926	1936	10	Resigned
Blair, Mrs. Wm. McCormick	1929
Harrison A. Dobbs	1932
Haskins, Mrs.Dorothy North	1934	1935	1	Resigned
Regerny, William H.	1934
Abbott, Grace	1935
Chandler, Henry P.	1935

Hull House Organization

Social settlements were primarily residential and neighborhood and typically displayed relatively non-hierarchical or non-bureaucratic schemes of organization. Under the leadership of the charismatic Ms. Addams, such was certainly the case with Hull House.

Mission

The original statement of purpose in the charter of the Hull House Association (1895) defined the role of Hull House as civilizing, educational, philanthropic, research and social intervention: "To provide a center for a higher civic and social life; to institute and maintain educational and philanthropic enterprises, and to investigate and improve the conditions in the industrial districts of Chicago."

Elshtain (2002) says that the language of this legal document "fails to capture the spirit and the manifold activities of Hull House." She notes that near the conclusion of The Second Twenty Years at Hull House, Addams sought to restate the mission as "It was the function of settlements to bring into the circle of knowledge and fuller life, men and women who might otherwise be left outside." All of the Hull House activities pointed to one goal, she says: "the building of a social culture of democracy."

Hull House Programs

Those accustomed to thinking of Hull House as a social service, or even in terms of a contemporary neighborhood house are often surprised at the range and diversity of the program offerings that arose at Hull House. Thus, a 1990 tribute in Life Magazine cited by Jean Bethke Elshtain described Hull House as a "center for providing meals, job training, education and even a home for Chicago's immigrant poor." As Elshtain notes, this makes "Hull House sound more like a Great Society-era program rather than the complex intercultural space that it was."

Notable Program Initiatives

From the very start, Ms. Addams and particularly Ms. Starr placed great emphasis on the arts at Hull House, seeking to create "a place of interior beauty and grace, on teaching the arts and giving children the opportunity to participate in a variety of artistic activities."This covered a broad range of fine arts, including visual arts, music, theater, and literature as well as applied arts such as bookbinding.

The Butler Art Gallery, which opened in 1891, was visited by 3,000 people a week.

The Hull House Players are believed to be the first community theater company in the U.S. Edith de Nancrede was director of the Marionettes, one of several Hull House theater and dance groups.

Hull House residents initiated the first urban playground. Julia Lathrop the first juvenile court (1899), one of the first summer camps. In addition, the Jane Club was a pioneering effort to rent rooms to single young women alone in the city. The labor museum was one of the earliest programs at Hull House, organized by Addams and Starr in 1890. Ms. Starr later established a notable book-binding program at Hull House prior to her departure. An 'engine house' generator which sold electricity to the Chicago power grid and the coffee house were certainly among the first nonprofit social enterprises anywhere.

Ms. Starr's enthusiasm for the arts was matched by her enthusiasm for labor. She was an active, and aggressive union organizer of strong socialist convictions and wrote the chapter on "Art and Labor" for Hull House Maps and Papers (1895).

Other Programs

Other programs included a laundry, music school, dancing class, gym, boy’s club, children’s club, and the Hull House band.

Some of the program innovations were mundane but essential: Elstain (2002) notes that many immigrants visiting Hull House "were dirty because of so few bathrooms in the crowded tenaments. Seeing this, Addams built five bathrooms in the rear of Hull House and made them available to the neighborhood. The bathtubs were as popular as the art gallery: They were constantly in use." Addams reports 980 bathers in one month, along with 30-40 children daily in the nursery.

The labor museum was not the only connection to workers' concerns. Elshtain reports that at least four unions for women met there regularly: the bookbinders, the shoemakers, the shirtmakers and the cloakmakers.

The Hull House Construction Program

During her lifetime, Addams oversaw construction of a substantial number of buildings in the Hull House complex, which grew into a sort of campus around the original dwelling.

The Bowen Theater (not to be confused with the Roy Bowen Theater in Columbus OH), was constructed in 18XX on the Polk Street side of the Hull House campus, between the Boy's Club and the Gynmasium and featured a 750-seat auditorium. As it's name suggests, Mrs. Louise DeKoven Bowen, later a Hull House Association board member and president, was the principal patron of the theater which Elshtain refers to as "the mother-house of Chicago theater."

Hull House Politics

Residents living at Hull House represented a broad spectrum of political views. Addams herself was a registered Republican who was an active supporter of Theodore Roosevelt's reform Republicanism through the "Bull Moose" campaign of 1912, following which she largely withdrew from electoral politics.