Literature/Citable Version

Literature, in its most basic sense a body of "letters" (from the Latin litteras), refers generally to a body of written texts in any or or human languages. By extension the term has also been applied to spoken texts ("oral literature") or to a body of writings on a particular subject area (e.g., "medical literature"), or other collections of material in a given language or national tradition ("English literature"). Literature is often divided into historical periods ("Victorian literature") as well as into formal categories (prose, poetry, or drama) and genres (such as the Epic, the Novel, or the folktale).

Introduction

In its broadest sense, Literature came into being with the first use of pictographic or alphabetic scripts, although it is more common to separate out as "literature" only those texts which contain a degree of imaginative, didcatic, or descriptive content. Thus, business records, tallies, or lists are not generally included, although such texts can be found in the earliest civilizations. Religious texts, while they have of course an entirely different significance to the adherents of the faiths to which they pertain, may also be considered "as" literature when their narrative or compositional qualities are foregrounded. The earliest instances of literature, therefore, include a variety of texts ranging from the Sumerian Epic of Gilgamesh to the Torah to the Odyssey of Homer. These texts, though recognized as literature, share an origin in pre-literate cultures, and thus predate in some sense the modern use of the term. Later in human history, the deliberate writing of imaginary or fanciful texts, disseminated in written form to a literate audience, marks the first fully self-conscious literary traditions; in this era might be placed such compositions as Virgil's Aeneid, the Chinese Songs of Chu, or the lyric poetry of Sappho. With improvements in the production and dissemination of written texts, from Roman copyhouses to the invention of the printing press, along with the increase of a literate reading public, a third sense of "literature," and the one most commonly used today, came into being. Specifically, literature today encompasses all imaginative writing in any modern language, as well as essays, criticism, travel writing, biographies, memoirs, and collections of letters.

With the advent of new media and technologies in the twentieth and twenty-first centuries, texts are often stored and transmitted without ever being printed on paper; they also often include or are linked to audio, video, or multimedia content. Speech can now also be recorded. stored, and transmitted, such that some literary historians such as Walter J. Ong regard this as an age of "secondary orality". Such changes will doubtless expand and alter the definition of literature, just as did earlier technological developments.

Formal categories

The most fundamental division common to most formal distinctions is that between poetry and prose. The precise distinction between these two categories varies somewhat among world literatures, though it may generally be observed that poetry depends upon a relatively fixed array of metrical and phonological patterns, as on a more densely interconnected arrangement of imagery and metaphor. In Old English poetry, as in the earliest Latin verse, a fixed number of metrical beats, with the alliteration of initial sounds, provide the basic structure, whereas in ancient Greek poetry, the length of the syllables was the primary principle. Rhyme, the assonance of the final sounds of words or lines, is also a very common poetic structure. Prose, of course, may partake of all these qualities as well, though generally not in such a dense and closely patterned manner. Modern poetry also includes forms such as free verse and concrete poetry, which depart from the strict poetic meter or earlier forms, or attempt to abandon formal contraints altogether.

Genres

The evolution of various genres of literature has varied considerably in different languages and cultures, although some very general categories can be outlined. Much early imaginative literature can be classed as Epic; within this category one would find texts as various as the Odyssey, the Finnish Kalevala, the Elder Edda, or the Táin Bó Cúailnge. Epic literature is marked by a strong, central narrative, often focused on the deeds of a single heroic figure, and featuring elaborately detailed accounts of battle. The Greek term lyric also has close equivalents in many world literatures; lyric poetry is generally written in short stanzas or strophes, with an emphasis on image and affective emotion. Significant lyric poets in world traditions have included Sappho, Li Po, Kabir, John Keats, and Emily Dickinson.

Another early and continuing form, Dramatic literature, consists of words and actions to be spoken and performed upon a stage by actors; while it has often been recorded in writing and print, the primary venue for this form of literature is theatrical performance. In ancient Greece, where plays evolved out of the religious observances of Dionysos, the works of Aristophanes and Sophocles retain their force after two millenia. Significant world playwrights include William Shakespeare, Molière, Chekhov, and Samuel Beckett. Some of the paradigms of the stage extend to those of cinema film, and today film studies are often conjoined academically with the study of literature.

In the past few centuries, the Novel has emerged as one of the dominant literary forms of modern literature, combining some features of the Epic (such as a strong, central protagonist) with elements of historical narrative, travel writing, and the naturalistic dialogue of plays. Many claim Miguel de Cervantes' Don Quixote (1605, 1615) as the first novel, though some assign it instead to the category of Mock Epic. Among the great practitioners of the novel over the centuries since have been Jane Austen, Charles Dickens, Leo Tolstoy, Marcel Proust, James Joyce, and William Faulkner. Novels themselves, from their first appearance, have been categorized in a variety of topical or formal sub-genres, such as the Picaresque novel or the Epistolary Novel, as well as broader thematic categories such as Science Fiction, Detective Fiction, or Fantasy.

References

• Ian Watt, The Rise of the Novel
• Walter J. Ong, Orality and Literacy: The Technologizing of the Word (2nd ed. New York: Routledge, 2002)