Black Mountain Side: Difference between revisions
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{{subpages}} | {{PropDel}}<br><br>{{subpages}} | ||
{{Infobox Song | {{Infobox Song | ||
|name = Black Mountain Side | |name = Black Mountain Side | ||
|image = | |image = | ||
|album = '' | |album = ''Led Zeppelin (album)|Led Zeppelin'' | ||
|published = Superhype Music | |published = Superhype Music | ||
|registration = ASCAP 320158432 | |registration = ASCAP 320158432 | ||
| Line 11: | Line 11: | ||
|language = English | |language = English | ||
|length = 2 minutes 6 seconds | |length = 2 minutes 6 seconds | ||
|composer = | |composer = Jimmy Page | ||
|label = | |label = Atlantic Records | ||
|producer = Jimmy Page | |producer = Jimmy Page | ||
|engineer = Glyn Johns | |engineer = Glyn Johns | ||
}} | }} | ||
''''Black Mountain Side'''' is an instrumental song by [[England|English]] | ''''Black Mountain Side'''' is an instrumental song by [[England|English]] rock music|rock band Led Zeppelin, featured on their 1969 eponymous debut album ''Led Zeppelin (album)|Led Zeppelin''. It was recorded at Olympic Studios, London during October 1968. | ||
==Overview== | ==Overview== | ||
'Black Mountain Side' was inspired by a traditional Irish folk song called 'Down by Blackwaterside'. The most well known recording of 'Blackwaterside' being from a 1952 BBC Archive recording of an Irish traveller, Mary Doran.<ref>Sleeve notes (by A. L. Lloyd) to Anne Briggs' 1971 album ''Ann Briggs''.</ref> This version was taught to singer Anne Briggs by A. L. Lloyd, and it became popularised on the British club folk circuit during the 1960s. Briggs later taught Bert Jansch the song, who then recorded his own arrangement. | 'Black Mountain Side' was inspired by a traditional Irish folk song called 'Down by Blackwaterside'. The most well known recording of 'Blackwaterside' being from a 1952 BBC Archive recording of an Irish traveller, Mary Doran.<ref>Sleeve notes (by A. L. Lloyd) to Anne Briggs' 1971 album ''Ann Briggs''.</ref> This version was taught to singer Anne Briggs by A. L. Lloyd, and it became popularised on the British club folk circuit during the 1960s. Briggs later taught Bert Jansch the song, who then recorded his own arrangement. | ||
Al Stewart, who had arrived in London in early 1965, followed the folk music scene closely and learnt what he thought was a version of 'Blackwaterside'. However, he mistakenly believed that the song was using DADGAD tuning whereas it was actually using a simpler 'Drop D tuning|drop D' tuning. At the time, Stewart was recording his own debut record and had engaged guitarist Jimmy Page as a session musician. Allegedly during a break during recordings both Page and Stewart exchanged notes which gave Page the idea to record his own version. | |||
==Structure== | ==Structure== | ||
Page recorded 'Black Mountain Side' in DADGAD tuning (which Page called the 'CIA' tuning, an acronym for '''C'''eltic, '''I'''ndian and '''A'''rabic),<ref>{{cite book | author= Lewis, Dave| title=Led Zeppelin: From a Whisper to a Scream| edition=1st edn| location=London| publisher=Omnibus Press| year=2012| pages=26| isbn=978-1-78038-547-1}}</ref> Page later revisited the DADGAD tuning for the song ' | Page recorded 'Black Mountain Side' in DADGAD tuning (which Page called the 'CIA' tuning, an acronym for '''C'''eltic, '''I'''ndian and '''A'''rabic),<ref>{{cite book | author= Lewis, Dave| title=Led Zeppelin: From a Whisper to a Scream| edition=1st edn| location=London| publisher=Omnibus Press| year=2012| pages=26| isbn=978-1-78038-547-1}}</ref> Page later revisited the DADGAD tuning for the song 'Kashmir (song)|Kashmir', which appeared on the band's sixth album ''Physical Graffiti''. In the actual studio recording of 'Black Mountain Side', Page's guitar is tuned a half step down from DADGAD tuning, technically Db-Ab-Db-Gb-Ab-Db. Page also employs the use of a traditional Indian tabla into the recording, making the overall feel of the song as coming from the East. | ||
The beginning of the song is arranged over the end of the previous track on ''Led Zeppelin'', namely ' | The beginning of the song is arranged over the end of the previous track on ''Led Zeppelin'', namely 'Your Time Is Gonna Come'. An overdubbed rapid guitar lick can be heard on the album version with the tempo then steadying to 114 beats per minute throughout the song. Page did this to simulate the sound of a sitar, for which the song's dropped-down DADGAD tuning leads into. Page played a borrowed Gibson J-200 acoustic guitar for this recording.<ref>{{cite book|last=Case|first=George|year=2009|title=Jimmy Page: Magus, Musician, Man - An Unauthorized Biography|edition=Revised|location=Milwaukee|publisher=Backbeat Books|pages=69|isbn=978-0-87930-947-3}}</ref> To enhance the Indian music|Indian character of the song, drummer and sitarist Viram Jasani played tabla on the track.<ref>{{cite book | author= Fast, Susan| title= In the Houses of the Holy: Led Zeppelin and the Power of Rock Music| edition=1st Edition | location=New York| publisher=Oxford University Press| year=2001 | pages=75| isbn=978-0-19-514723-0}}</ref> | ||
The overall Eastern-flavour of the structure was to lead writer | The overall Eastern-flavour of the structure was to lead writer William S. Burroughs into a suggestion to Jimmy Page about Led Zeppelin's music: | ||
{{Quotation|[I] did a joint interview with William Burroughs for ''Crawdaddy'' magazine in the early Seventies, and we had a lengthy discussion on the hypnotic power of rock and how it paralleled the music of Arabic cultures. This was an observation Burroughs had after hearing 'Black Mountain Side', from our first album. He then encouraged me to go to Morocco and investigate the music first hand, something Robert [Plant] and I eventually did.<ref>{{cite journal|last=Tolinski|first=Brad|coauthors=Greg DiBenedetto|date=May 1993|title=Inside the studio with Jimmy Page|url=http://www.skeptictank.org/files/en004/lza93pag.htm|journal=Guitar World|publisher=Harris Publications|volume=14|issue=5|issn=1063-4231}}</ref>}} | {{Quotation|[I] did a joint interview with William Burroughs for ''Crawdaddy'' magazine in the early Seventies, and we had a lengthy discussion on the hypnotic power of rock and how it paralleled the music of Arabic cultures. This was an observation Burroughs had after hearing 'Black Mountain Side', from our first album. He then encouraged me to go to Morocco and investigate the music first hand, something Robert [Plant] and I eventually did.<ref>{{cite journal|last=Tolinski|first=Brad|coauthors=Greg DiBenedetto|date=May 1993|title=Inside the studio with Jimmy Page|url=http://www.skeptictank.org/files/en004/lza93pag.htm|journal=Guitar World|publisher=Harris Publications|volume=14|issue=5|issn=1063-4231}}</ref>}} | ||
==Live versions== | ==Live versions== | ||
When the song was played at | When the song was played at Led Zeppelin concerts, it was usually featured as part of Jimmy Page's instrumental 'White Summer', with the combined arrangement 'White Summer'/'Black Mountain Side' typically running at eleven minutes. Page would sit on a stool for the duration of the two songs and usually played them on a 1959 Danelectro DC 'Double Cutaway' guitar, tuned differently than his favoured Gibson Guitar Corporation|Gibson Gibson Les Paul|Les Paul. These songs were used by the band to showcase Page's skills as a guitarist, as he plays almost entirely by himself, with drummer John Bonham adding some fills later in the song. The 'White Summer'/'Black Mountain Side' combination was first performed as part of their first-ever concert at the Fillmore West in San Francisco, California, on 10 January 1969, and the Spokane show from 30 December 1968, features the arrangement without 'Black Mountain Side'. | ||
This song was a component of Led Zeppelin's live set list until their | This song was a component of Led Zeppelin's live set list until their Led Zeppelin North American Tour Spring 1970|fifth US Tour in 1970. Years later it was restored to their set for the Led Zeppelin North American Tour 1977|1977 US Tour, the Knebworth 1979|1979 concerts and Tour Over Europe 1980|1980 European tour.<ref>{{cite book | author= Lewis, Dave| title=Led Zeppelin: From a Whisper to a Scream| edition=1st edn| location=London| publisher=Omnibus Press| year=2012| pages=26| isbn=978-1-78038-547-1}}</ref> 'Black Mountain Side' was also used to lead into 'Kashmir' on this latter tour. | ||
A live version of this song can be seen on the '' | A live version of this song can be seen on the ''Led Zeppelin (DVD)|Led Zeppelin DVD'', during Led Zeppelin's 1970 Royal Albert Hall appearance. A similar version can be heard, most likely from the Playhouse Theatre sessions from 27 June 1969, on the expanded version of ''Coda (album)|Coda'', an album of out-takes released in 1982. This arrangement has the 'White Summer' segment being played for around eight minutes, and 'Black Mountain Side' is heard somewhere in the middle. Page later played versions of this song when he was with The Firm (band)|the Firm, the group he founded with Paul Rodgers. | ||
==Credits== | ==Credits== | ||
| Line 48: | Line 48: | ||
**Viram Jasani – tabla, percussion | **Viram Jasani – tabla, percussion | ||
*Production: | *Production: | ||
** | **Peter Grant – executive producer | ||
**Glyn Johns – engineer, mixing | **Glyn Johns – engineer, mixing | ||
**Joe Sidore – original CD mastering engineer (mid-1980s) | **Joe Sidore – original CD mastering engineer (mid-1980s) | ||
| Line 56: | Line 56: | ||
==References== | ==References== | ||
{{reflist}} | {{reflist}}[[Category:Suggestion Bot Tag]] | ||
Latest revision as of 11:01, 19 July 2024
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'Black Mountain Side' is an instrumental song by English rock music|rock band Led Zeppelin, featured on their 1969 eponymous debut album Led Zeppelin (album)|Led Zeppelin. It was recorded at Olympic Studios, London during October 1968. Overview'Black Mountain Side' was inspired by a traditional Irish folk song called 'Down by Blackwaterside'. The most well known recording of 'Blackwaterside' being from a 1952 BBC Archive recording of an Irish traveller, Mary Doran.[1] This version was taught to singer Anne Briggs by A. L. Lloyd, and it became popularised on the British club folk circuit during the 1960s. Briggs later taught Bert Jansch the song, who then recorded his own arrangement. Al Stewart, who had arrived in London in early 1965, followed the folk music scene closely and learnt what he thought was a version of 'Blackwaterside'. However, he mistakenly believed that the song was using DADGAD tuning whereas it was actually using a simpler 'Drop D tuning|drop D' tuning. At the time, Stewart was recording his own debut record and had engaged guitarist Jimmy Page as a session musician. Allegedly during a break during recordings both Page and Stewart exchanged notes which gave Page the idea to record his own version. StructurePage recorded 'Black Mountain Side' in DADGAD tuning (which Page called the 'CIA' tuning, an acronym for Celtic, Indian and Arabic),[2] Page later revisited the DADGAD tuning for the song 'Kashmir (song)|Kashmir', which appeared on the band's sixth album Physical Graffiti. In the actual studio recording of 'Black Mountain Side', Page's guitar is tuned a half step down from DADGAD tuning, technically Db-Ab-Db-Gb-Ab-Db. Page also employs the use of a traditional Indian tabla into the recording, making the overall feel of the song as coming from the East. The beginning of the song is arranged over the end of the previous track on Led Zeppelin, namely 'Your Time Is Gonna Come'. An overdubbed rapid guitar lick can be heard on the album version with the tempo then steadying to 114 beats per minute throughout the song. Page did this to simulate the sound of a sitar, for which the song's dropped-down DADGAD tuning leads into. Page played a borrowed Gibson J-200 acoustic guitar for this recording.[3] To enhance the Indian music|Indian character of the song, drummer and sitarist Viram Jasani played tabla on the track.[4] The overall Eastern-flavour of the structure was to lead writer William S. Burroughs into a suggestion to Jimmy Page about Led Zeppelin's music:
Live versionsWhen the song was played at Led Zeppelin concerts, it was usually featured as part of Jimmy Page's instrumental 'White Summer', with the combined arrangement 'White Summer'/'Black Mountain Side' typically running at eleven minutes. Page would sit on a stool for the duration of the two songs and usually played them on a 1959 Danelectro DC 'Double Cutaway' guitar, tuned differently than his favoured Gibson Guitar Corporation|Gibson Gibson Les Paul|Les Paul. These songs were used by the band to showcase Page's skills as a guitarist, as he plays almost entirely by himself, with drummer John Bonham adding some fills later in the song. The 'White Summer'/'Black Mountain Side' combination was first performed as part of their first-ever concert at the Fillmore West in San Francisco, California, on 10 January 1969, and the Spokane show from 30 December 1968, features the arrangement without 'Black Mountain Side'. This song was a component of Led Zeppelin's live set list until their Led Zeppelin North American Tour Spring 1970|fifth US Tour in 1970. Years later it was restored to their set for the Led Zeppelin North American Tour 1977|1977 US Tour, the Knebworth 1979|1979 concerts and Tour Over Europe 1980|1980 European tour.[6] 'Black Mountain Side' was also used to lead into 'Kashmir' on this latter tour. A live version of this song can be seen on the Led Zeppelin (DVD)|Led Zeppelin DVD, during Led Zeppelin's 1970 Royal Albert Hall appearance. A similar version can be heard, most likely from the Playhouse Theatre sessions from 27 June 1969, on the expanded version of Coda (album)|Coda, an album of out-takes released in 1982. This arrangement has the 'White Summer' segment being played for around eight minutes, and 'Black Mountain Side' is heard somewhere in the middle. Page later played versions of this song when he was with The Firm (band)|the Firm, the group he founded with Paul Rodgers. Credits
References
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