When the Levee Breaks (Led Zeppelin song): Difference between revisions
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|genre = Blues rock, hard rock | |genre = Blues rock, hard rock | ||
|language = English | |language = English | ||
|length = 7 | |length = 7 minutes 8 seconds | ||
|composer = [[Jimmy Page]], [[Robert Plant]], [[John Paul Jones (musician)|John Paul Jones]], [[John Bonham]], Memphis Minnie | |composer = [[Jimmy Page]], [[Robert Plant]], [[John Paul Jones (musician)|John Paul Jones]], [[John Bonham]], Memphis Minnie | ||
|label = Atlantic Records | |label = [[Atlantic Records]] | ||
|producer = Jimmy Page | |producer = Jimmy Page | ||
|engineer = Andy Johns | |engineer = Andy Johns | ||
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The basis of the song lies in [[Robert Plant]], who reinterpreted the McCoy and Minnie recording by rewriting and rearranging lyrical parts with the focus on the [[Great Mississippi Flood of 1927]], and the band combining to create a new original [[melody]]. Recording for the song took place in December 1970 at [[Headley Grange]], where the band used the [[Rolling Stones Mobile Studio]]. It had already been tried unsuccessfully by the band at [[Island Studios]] at the beginning of the recording sessions for their fourth album.<ref>Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9.</ref> | The basis of the song lies in [[Robert Plant]], who reinterpreted the McCoy and Minnie recording by rewriting and rearranging lyrical parts with the focus on the [[Great Mississippi Flood of 1927]], and the band combining to create a new original [[melody]]. Recording for the song took place in December 1970 at [[Headley Grange]], where the band used the [[Rolling Stones Mobile Studio]]. It had already been tried unsuccessfully by the band at [[Island Studios]] at the beginning of the recording sessions for their fourth album.<ref>Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9.</ref> | ||
The song features a distinctive pounding drum beat by [[John Bonham]] recorded in a three-story stairwell, driving [[guitar]]s and a wailing [[harmonica]], all presumably meant to symbolize the relentless [[storm]] that threatens to break the [[levee]], backing a powerful vocal performance by Robert Plant. The vocals were processed differently on each verse, sometimes with phasing added. According to Page, the song's structure 'was a riff that I'd been working on, but Bonzo's drum sound really makes a difference on that point.'<ref>Dave | The song features a distinctive pounding drum beat by [[John Bonham]] recorded in a three-story stairwell, driving [[guitar]]s and a wailing [[harmonica]], all presumably meant to symbolize the relentless [[storm]] that threatens to break the [[levee]], backing a powerful vocal performance by Robert Plant. The vocals were processed differently on each verse, sometimes with phasing added. According to Page, the song's structure 'was a riff that I'd been working on, but Bonzo's drum sound really makes a difference on that point.'<ref>{{cite journal|last=Schulps|first=Dave|date=October 1977|title=Jimmy Page: The Trouser Press Interview|url=http://www.teachrock.org/resources/article/jimmy-page-the-trouser-press-interview/|journal=Trouser Press|publisher=Trans-Oceanic Trouser Press|volume=4|issue=22|issn=0164-1883}}</ref> | ||
The famous drum performance was recorded by [[Audio engineering|engineer]] [[Andy Johns]] by placing Bonham and a new drumkit at the bottom of a stairwell at [[Headley Grange]], and recording it using two [[Beyerdynamic]] M160 [[microphone]]s at the top, giving the distinctive resonant but slightly muffled sound.<ref>{{cite book|last=Welch|first=Chris|title=Led Zeppelin: Dazed and Confused - The Stories Behind Every Song|publisher=Thunder's Mouth Press|date=1998-10-01|isbn=1-56025-188-3|pages=70, 72}}</ref><ref>{{cite book|last=Lewis|first=Dave|title=Led Zeppelin: The Complete Guide to Their Music|publisher=Omnibus Press|date=2004-09-01|isbn=1-84449-141-2|pages=33}}</ref> Back in the Rolling Stones' mobile studio, Johns compressed the drum sound through two channels and added echo through guitarist [[Jimmy Page]]'s Binson echo unit.<ref>Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9.</ref> The performance was made on a brand new drum kit that had only just been delivered from the factory.<ref>Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9.</ref> The [[break (music)|drum break]] has long been popular in [[hip hop music|hip hop]] and dance music circles for its 'heavy' sound, and has been sampled for many tracks.<ref>{{cite web|url=http://the-breaks.com/perl/full.pl?genre=3&page=L|title=Artist Samples beginning with the letter L|accessdate=2006-07-30|publisher=The-Breaks.com}}</ref> | The famous drum performance was recorded by [[Audio engineering|engineer]] [[Andy Johns]] by placing Bonham and a new drumkit at the bottom of a stairwell at [[Headley Grange]], and recording it using two [[Beyerdynamic]] M160 [[microphone]]s at the top, giving the distinctive resonant but slightly muffled sound.<ref>{{cite book|last=Welch|first=Chris|title=Led Zeppelin: Dazed and Confused - The Stories Behind Every Song|publisher=Thunder's Mouth Press|date=1998-10-01|isbn=1-56025-188-3|pages=70, 72}}</ref><ref>{{cite book|last=Lewis|first=Dave|title=Led Zeppelin: The Complete Guide to Their Music|publisher=Omnibus Press|date=2004-09-01|isbn=1-84449-141-2|pages=33}}</ref> Back in the Rolling Stones' mobile studio, Johns compressed the drum sound through two channels and added echo through guitarist [[Jimmy Page]]'s Binson echo unit.<ref>Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9.</ref> The performance was made on a brand new drum kit that had only just been delivered from the factory.<ref>Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9.</ref> The [[break (music)|drum break]] has long been popular in [[hip hop music|hip hop]] and dance music circles for its 'heavy' sound, and has been sampled for many tracks.<ref>{{cite web|url=http://the-breaks.com/perl/full.pl?genre=3&page=L|title=Artist Samples beginning with the letter L|accessdate=2006-07-30|publisher=The-Breaks.com}}</ref> | ||
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==Credits== | ==Credits== | ||
{|class='wikitable' | {|class='wikitable' | ||
|colspan='2' style='background: | |colspan='2' style='background:#ccffcc'|<center>'''Personnel'''</center> | ||
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== | ==References== | ||
{{reflist|2}} | {{reflist|2}} | ||
Revision as of 02:56, 1 March 2014
| When the Levee Breaks | |
|---|---|
| Appears on | Led Zeppelin IV |
| Published by | Superhype Music |
| Registration | ASCAP 530172822 |
| Release date | 8 November 1971 |
| Recorded | January 1971 at Headley Grange, Hampshire with the Rolling Stones Mobile Studio .Mixed at Sunset Sound, Los Angeles. |
| Genre | Blues rock, hard rock |
| Language | English |
| Length | 7 minutes 8 seconds |
| Composer | Jimmy Page, Robert Plant, John Paul Jones, John Bonham, Memphis Minnie |
| Label | Atlantic Records |
| Producer | Jimmy Page |
| Engineer | Andy Johns |
'When the Levee Breaks' is a song written and recorded by British rock group Led Zeppelin, partly based on an original lyrical composition by Lizzie Douglas (Memphis Minnie) and Joe McCoy, titled 'When the Levee Breaks'.
Overview
The basis of the song lies in Robert Plant, who reinterpreted the McCoy and Minnie recording by rewriting and rearranging lyrical parts with the focus on the Great Mississippi Flood of 1927, and the band combining to create a new original melody. Recording for the song took place in December 1970 at Headley Grange, where the band used the Rolling Stones Mobile Studio. It had already been tried unsuccessfully by the band at Island Studios at the beginning of the recording sessions for their fourth album.[1]
The song features a distinctive pounding drum beat by John Bonham recorded in a three-story stairwell, driving guitars and a wailing harmonica, all presumably meant to symbolize the relentless storm that threatens to break the levee, backing a powerful vocal performance by Robert Plant. The vocals were processed differently on each verse, sometimes with phasing added. According to Page, the song's structure 'was a riff that I'd been working on, but Bonzo's drum sound really makes a difference on that point.'[2]
The famous drum performance was recorded by engineer Andy Johns by placing Bonham and a new drumkit at the bottom of a stairwell at Headley Grange, and recording it using two Beyerdynamic M160 microphones at the top, giving the distinctive resonant but slightly muffled sound.[3][4] Back in the Rolling Stones' mobile studio, Johns compressed the drum sound through two channels and added echo through guitarist Jimmy Page's Binson echo unit.[5] The performance was made on a brand new drum kit that had only just been delivered from the factory.[6] The drum break has long been popular in hip hop and dance music circles for its 'heavy' sound, and has been sampled for many tracks.[7]
Page recorded Plant's harmonica part using the backward echo technique, putting the echo ahead of the sound when mixing, creating a distinct effect.[8] 'When the Levee Breaks' was recorded at a different tempo, then slowed down. Plant then sang in the sort-of-in-between key the song was now in (approximately F minor), which explains its sort of flat and sludgy sound, particularly on the harmonica and guitar solos. Because this song was heavily produced in the studio, it was difficult to recreate live. The band only played it a few times in the early stages of their 1975 U.S. Tour.[9]
'When the Levee Breaks' was the only song on the album that was not re-mixed after a supposedly disastrous mixing job in the U.S. (the rest of the tracks were mixed again in England). The original mixing done on this song was kept in its original form.
In the May 2008 issue of Uncut Magazine, Page elaborated upon the effects at the end of the song:
| ‘ | Interviewer: How was the swirly effect at the end of 'When the Levee Breaks' achieved? I always imagine you sitting there with a joystick...
Page: It's sort of like that, isn't it? It's interesting, on 'Levee Breaks' you've got backwards harmonica, backwards echo, phasing, and there's also flanging, and at the end you get this super-dense sound, in layers, that's all built around the drum track. And you've got Robert, constant in the middle, and everything starts to spiral around him. It's all done with panning.[10] |
’ |
Jimmy Page and Robert Plant had performed it on their MTV Unplugged appearance and their 1995-96 world tour, swapping it with 'Nobody's Fault but Mine' at times. John Paul Jones worked the song into the tour for his two solo albums. With Plant playing guitar along with T-Bone Burnett's band, Alison Krauss sang it for the CMT Crossroads TV special starring Plant and Krauss, to promote their album Raising Sand. Robert Plant and Alison Krauss also regularly covered the song during their tour of USA and Europe in April and May 2008.[11]
Credits
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References
- ↑ Dave Lewis (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-7119-3528-9.
- ↑ Schulps, Dave (October 1977). "Jimmy Page: The Trouser Press Interview". Trouser Press 4 (22). ISSN 0164-1883.
- ↑ Welch, Chris (1998-10-01). Led Zeppelin: Dazed and Confused - The Stories Behind Every Song. Thunder's Mouth Press, 70, 72. ISBN 1-56025-188-3.
- ↑ Lewis, Dave (2004-09-01). Led Zeppelin: The Complete Guide to Their Music. Omnibus Press, 33. ISBN 1-84449-141-2.
- ↑ Dave Lewis (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-7119-3528-9.
- ↑ Dave Lewis (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-7119-3528-9.
- ↑ Artist Samples beginning with the letter L. The-Breaks.com. Retrieved on 2006-07-30.
- ↑ Dave Lewis (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-7119-3528-9.
- ↑ Dave Lewis (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-7119-3528-9.
- ↑ Cavanaugh, David. 'Jimmy Page, 'Mission Accomplished. Uncut Magazine. Take 132 (May 2008): 49-50.
- ↑ Robert Plant and Alison Krauss at the Birmingham NIA