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One of the interesting features of the Arts and Crafts movement is that it occurred at time of great interest in 'socialism' (in its broadest 19th century sense as a contrast term to 'individualism'). As a result, alongside the creation of individual artists and craftsmen in traditional ataliers (artists workshops), there was a substantial formation of other [[civil society]] organizations - specialized production units, movements, groups, clubs, networks, alliances and many other types of organized activity quite unlike anything else in art history.  
One of the interesting features of the Arts and Crafts movement is that it occurred at time of great interest in 'socialism' (in its broadest 19th century sense as a contrast term to 'individualism'). As a result, alongside the creation of individual artists and craftsmen in traditional ataliers (artists workshops), there was a substantial formation of other [[civil society]] organizations - specialized production units, movements, groups, clubs, networks, alliances and many other types of organized activity quite unlike anything else in art history.  
Here is a partial list of some of those organizations, garnered from a variety of publications on art history. (A similar [[Catalog of Art Nouveau organizations|list]] has been prepared for the [[Art Nouveau]] movement which saw a similar -- and to some degree overlapping -- burst of organization during roughly the same time period.
Here is a partial list of some of those organizations, garnered from a variety of publications on art history. (A [[Catalog_of_Art_Nouveau_organizations|similar list]] has been prepared for the [[Art Nouveau]] movement which saw a similar -- and to some degree overlapping -- burst of organization during roughly the same time period.  
 
(The following associations, cooperatives, groups and organizations are listed in the index of
{{cite book
  | last = Livingstone
  | first = Karen
  | coauthors = Linda Parry, Eds.
  | title = International Arts and Crafts
  | publisher = V&A Publications
  | date = 2006
  | location = London
  | isbn = 1851774467}}
 
The articles in that publication also include a wealth of additional information on many of them. The list does not include information on many private workshops, stores, shops and other profit-oriented firms that were also integral parts of the international Arts and Crafts movement. Although the effort here is to identify primarily "nonprofit", non-commercial groups and associations, any distinction between profit-oriented and nonprofit activities in this or other movements is very difficult to draw convincingly. Several firms are included.)


*[[Art Workers Guild]]
{{r|Amstelhock Company}}
*[[Arts and Crafts Exhibition Society]]
{{r|Art Workers Guild}}
*[[Amstelhock Company]]
{{r|Arts and Crafts Exhibition Society}}
*[[Century Guild]]
{{r|Birmingham Guild of Handicraft}}
*[[Cottage Arts Association]]
{{r|Bromsgrove Guild of Applied Arts}}
*[[Manchester School of Art]]
{{r|Century Guild}}
{{r|Cottage Arts Association}}
{{r|Craftsman Farms}} A late 19th century New Jersey philanthropic project. One of two projects supported largely from profits of the successful arts and crafts firm of Gustav Stickney.
{{r|Craftsman, The (magazine)}} A U.S. arts and crafts magazine published in the late 19th century. One of two projects supported largely from profits of the successful arts and crafts firm of Gustav Stickney.
{{r|Craftsman workshops}}
{{r|Cranach Press}}
{{r|Dahrmstad New Palace Commission}}
{{r|Deutsche Werkstätten für Handwerkskunst}}
{{r|Deutscher Werkbund}} (German Work Association)
{{r|Doves Press}}
{{r|Dresdner Werkstätten für Handwerkskunst}}
{{r|The Eighteen}}
{{r|Essex House Press}}
{{r|The Fifteen}}
{{r|Fine Art Society}}
{{r|Fitzroy Picture Company}}
{{r|Föreningen för Svensk Hemslöjd}} (Swedish Handicraft Association)
{{r|Friends of the Finnish Handicrafts}}
{{r|Grossherzogliche Sachsiche Kunstgewerbeschule}} (Arts and Crafts school)
{{r|Guild of Handicraft}}
{{r|Guild of St. George}}
{{r|Guild of Women Binders}}
{{r|Hakubakai}} (White Horse Society)
{{r|Home Arts and Industries Association}}
{{r|Industrial Art League}} (Chicago)
{{r|Iris workshops}} (Porvoo, Finland)
{{r|Irish Home Industries Association}}
{{r|Isabella workshops}} (Hungary)
{{r|Manchester School of Art}}
{{r|Japan Folk Crafts Association}}
{{r|Kamigamo Folk Craft Cooperative}}
{{r|Korean Folk Arts Gallery}} (Seoul)
{{r|Kunstgewerbeschule (Scherrebek)}}
{{r|Lake District Defence Society}}
{{r|Mark Hopkins Institute of Art}}
{{r|Meijii Fine Arts Society}}
{{r|Nabis}} artists group)
{{r|National Association for the Advancement of Art and Its Application to Industry}}
{{r|National Trust}}
{{r|New English Art Club}}
{{r|Newcastle Handicrafts Guild}}
{{r|Nakakai}} (Two Section Society)
{{r|Den Norske Husflidsforenig}} (Norwegian Society for Home Industry)
{{r|Northern Art Workers Guild}}
{{r|Photo Club de Paris}}
{{r|'Photo Secession' Group}}
{{r|Photographic Society of Great Britain}}
{{r|Polish Applied Art Society}}
{{r|Pond Brothers}} (Allen and Irving, Chicago Architects, residents of Hull House, and part of the Prairie School centered at Steinway Hall in downtown Chicago. Architects of several buildings on the Hull House campus.)
{{r|Prairie School}}
{{r|Rochester Society of Arts and Crafts}} (Rochester New York)
{{r|Royal School of Art Needlework}}
{{r|Roycroft Shops}}
{{r|Rural Industries Cooperative Society}}
{{r|Sheffield Art Crafts Guild}}
{{r|Shirakaba Group}} (White Birch group)
{{r|Solomenko workshops}}
{{r|Svenska Slöjdföreningen (SSF}} Swedish Society of Crafts and Design
{{r|Tottori Folk Crafts Cooperative}}
{{r|Vereinigte Verkstätten für Kunst im Handwerk}} (Munich)
{{r|Verenig voor Ambachts-en Nijverheidskunst}} (Dutch) Association for Crafts and Industrial Arts established in 1904 to educate public taste.
{{r|Vienna Secession}}
{{r|Worpswede Group}}

Latest revision as of 12:43, 18 February 2010

This article is a stub and thus not approved.
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An informational catalog, or several catalogs, about Arts and Crafts movement.

< Civil society/Catalogs

One of the interesting features of the Arts and Crafts movement is that it occurred at time of great interest in 'socialism' (in its broadest 19th century sense as a contrast term to 'individualism'). As a result, alongside the creation of individual artists and craftsmen in traditional ataliers (artists workshops), there was a substantial formation of other civil society organizations - specialized production units, movements, groups, clubs, networks, alliances and many other types of organized activity quite unlike anything else in art history. Here is a partial list of some of those organizations, garnered from a variety of publications on art history. (A similar list has been prepared for the Art Nouveau movement which saw a similar -- and to some degree overlapping -- burst of organization during roughly the same time period.

(The following associations, cooperatives, groups and organizations are listed in the index of Livingstone, Karen; Linda Parry, Eds. (2006). International Arts and Crafts. London: V&A Publications. ISBN 1851774467. 

The articles in that publication also include a wealth of additional information on many of them. The list does not include information on many private workshops, stores, shops and other profit-oriented firms that were also integral parts of the international Arts and Crafts movement. Although the effort here is to identify primarily "nonprofit", non-commercial groups and associations, any distinction between profit-oriented and nonprofit activities in this or other movements is very difficult to draw convincingly. Several firms are included.)