User:Brian Udoff: Difference between revisions
imported>D. Matt Innis No edit summary |
imported>Brian Udoff mNo edit summary |
||
Line 1: | Line 1: | ||
My primary interest is in filmmaking technologies and | My primary interest is in filmmaking technologies and techniques. I graduated with a B.A. from Johns Hopkins as a Film and Media Studies major with honors in 2003, and subsequently received a Masters studying Filmmaking with a specialization in cinematography at the London Film School in 2007. | ||
techniques. I graduated with a B.A. from Johns Hopkins | |||
as a Film and Media Studies major with honors in 2003, | |||
and subsequently received a Masters studying | |||
Filmmaking with a specialization in cinematography at | |||
the London Film School in 2007. | |||
Career-wise, I began shooting film in 2001 on amateur | Career-wise, I began shooting film in 2001 on amateur projects, eventually progressing to low-budget music videos (2003) before focusing on cinematography professionally. I entered the pro film industry in 2005 as a camera trainee and have worked as a camera assistant ever since. I have also acted as director of photography (DP) on several short projects, and have extensive experience both as a DP and camera assistant mainly on pro-level film formats and film equipment, as well as HD video. | ||
projects, eventually progressing to low-budget music | |||
videos (2003) before focusing on cinematography | |||
professionally. I entered the pro film industry in | |||
2005 as a camera trainee and have worked as a camera | |||
assistant ever since. I have also acted as director of | |||
photography (DP) on several short projects, and have | |||
extensive experience both as a DP and camera assistant | |||
mainly on pro-level film formats and film equipment, | |||
as well as HD video. | |||
My prior work experience also included regular | My prior work experience also included regular part-time work as a projectionist; this work was mainly at the London Film School, although I also was given several months of training in a commercial booth (Institute of Contemporary Arts) and have some limited experience in preview theater projection (Moving Picture Company). All of these afforded me a great range of different formats and unique characteristics to familiarize with and study in greater detail. | ||
part-time work as a projectionist; this work was | |||
mainly at the London Film School, although I also was | |||
given several months of training in a commercial booth | |||
(Institute of Contemporary Arts) and have some limited | |||
experience in preview theater projection (Moving | |||
Picture Company). All of these afforded me a great | |||
range of different formats and unique characteristics | |||
to familiarize with and study in greater detail. | |||
I have always been a voracious researcher, and find | I have always been a voracious researcher, and find this absolutely essential in my field, where mountains of both technical and creative reference exist. This work consists of a multi-faceted mix of reference texts, on-site facility examination, practical proficiency, trade shows, industry seminars, social discussion, testing, and personal experience and experimentation. | ||
this absolutely essential in my field, where mountains | |||
of both technical and creative reference exist. This | [[User:Brian Udoff/worklist|worklist]] | ||
work consists of a multi-faceted mix of reference | |||
texts, on-site facility examination, practical | |||
proficiency, trade shows, industry seminars, social | |||
discussion, testing, and personal experience and | |||
experimentation. | |||
[[Category:CZ Authors|Udoff, Brian]] | [[Category:CZ Authors|Udoff, Brian]] |
Revision as of 08:17, 13 March 2007
My primary interest is in filmmaking technologies and techniques. I graduated with a B.A. from Johns Hopkins as a Film and Media Studies major with honors in 2003, and subsequently received a Masters studying Filmmaking with a specialization in cinematography at the London Film School in 2007.
Career-wise, I began shooting film in 2001 on amateur projects, eventually progressing to low-budget music videos (2003) before focusing on cinematography professionally. I entered the pro film industry in 2005 as a camera trainee and have worked as a camera assistant ever since. I have also acted as director of photography (DP) on several short projects, and have extensive experience both as a DP and camera assistant mainly on pro-level film formats and film equipment, as well as HD video.
My prior work experience also included regular part-time work as a projectionist; this work was mainly at the London Film School, although I also was given several months of training in a commercial booth (Institute of Contemporary Arts) and have some limited experience in preview theater projection (Moving Picture Company). All of these afforded me a great range of different formats and unique characteristics to familiarize with and study in greater detail.
I have always been a voracious researcher, and find this absolutely essential in my field, where mountains of both technical and creative reference exist. This work consists of a multi-faceted mix of reference texts, on-site facility examination, practical proficiency, trade shows, industry seminars, social discussion, testing, and personal experience and experimentation.