Daniel Huntington: Difference between revisions
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In 1835 he studied with S. F. B. Morse, and produced ''A Bar-Room Politician'' and ''A Toper Asleep.'' Subsequently he painted some landscapes on the river [[Hudson River|Hudson]], and in 1839 he went to [[Rome]]. On his return to the US he painted portraits and began the illustration of [[The Pilgrim's Progress]], but his eyesight failed, and in 1844 he went back to Rome. | In 1835 he studied with S. F. B. Morse, and produced ''A Bar-Room Politician'' and ''A Toper Asleep.'' Subsequently he painted some landscapes on the river [[Hudson River|Hudson]], and in 1839 he went to [[Rome]]. On his return to the US he painted portraits and began the illustration of [[The Pilgrim's Progress]], but his eyesight failed, and in 1844 he went back to Rome. | ||
Returning to [[New York]] in 1846, he devoted his time chiefly to portrait-painting, although he has painted many genre, religious and historical subjects. He was president of the National Academy from 1862 to 1870, and again in 1877-1890. | Returning to [[New York (disambiguation)|New York]] in 1846, he devoted his time chiefly to portrait-painting, although he has painted many genre, religious and historical subjects. He was president of the National Academy from 1862 to 1870, and again in 1877-1890. | ||
Among his principal works are: | Among his principal works are: | ||
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* [[William Cullen Bryant]] (1866); | * [[William Cullen Bryant]] (1866); | ||
* [[John A. Dix]] (1880) and [[John Sherman]] (1881). | * [[John A. Dix]] (1880) and [[John Sherman]] (1881). | ||
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Latest revision as of 11:27, 16 July 2024
Daniel Huntington (New York, October 14, 1816 - New York, April 19, 1906) was an American painter.
In 1835 he studied with S. F. B. Morse, and produced A Bar-Room Politician and A Toper Asleep. Subsequently he painted some landscapes on the river Hudson, and in 1839 he went to Rome. On his return to the US he painted portraits and began the illustration of The Pilgrim's Progress, but his eyesight failed, and in 1844 he went back to Rome.
Returning to New York in 1846, he devoted his time chiefly to portrait-painting, although he has painted many genre, religious and historical subjects. He was president of the National Academy from 1862 to 1870, and again in 1877-1890.
Among his principal works are:
The Florentine Girl, Early Christian Prisoners, The Shepherd Boy of the Campagna, The Roman Penitents, Christiana and Her Children, Queen Mary signing the Death-Warrant of Lady Jane Grey, and Feckenham in the Tower (1850), Chocorua (1860), Republican Court in the Time of Washington (1861), Sowing the Word (1869), St Jerome, Juliet on the Balcony (1870), The Narrows, Lake George (1871), Titian Clement VII. and Charles V. at Bologna, Philosophy and Christian Art (1878), Goldsmith's Daughter (1884).
His principal portraits are:
- President Lincoln, in Union League Club, New York;
- Chancellor Ferris of New York University;
- Sir Charles Eastlake and the earl of Carlyle, the property of the New York Historical Society;
- President Van Buren, in the State Library at Albany;
- Benjamin Peirce in the Harvard Portrait Gallery;
- James Lenox, in the Lenox Library;
- Louis Agassiz (1856-1857);
- William Cullen Bryant (1866);
- John A. Dix (1880) and John Sherman (1881).
Attribution
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